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Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
Girls did not wear jackets or bedgowns. Boys wore shirts, breeches, waistcoats and coats a man would, but often wore their necks open, and the coat was fitted and trimmed differently from a man's, and boys often went bareheaded. During some decades of the 18th Century, boys' shirts and coats had different collars and cuffs than a man's.
Working-class people in 18th-century England and the United States often wore the same garments as fashionable people: shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women. However, they owned fewer clothes, which were made of cheaper and sturdier fabrics.
Gordenker, Emilie E.S.: Van Dyck and the Representation of Dress in Seventeenth-Century Portraiture, Brepols, 2001, ISBN 978-2-503-50880-1; Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
In 18th century Britain and the United States, a frock was an unfitted men's coat for hunting or other country pursuits, with a broad, flat collar, derived from the traditional working-class frock.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 (with their relatively unconfining empire silhouette) and re-adopted elements that had been characteristic of most of the 18th century (and were to be ...
The Brunswick is one of several informal jacket-and-petticoat costumes popular in the later 18th century, derived from working class costume but made up in fine fabrics (usually silk). [ 2 ] Originating in France (based on a German fashion), the Brunswick was also popular in England and the United States as a traveling costume.
Beau Brummell wearing a subdued color palette of white, black, navy blue, and buff Luis Francisco de la Cerda in a lavish red justacorps, c. 1684.. The Great Male Renunciation (French: Grande Renonciation masculine) is the historical phenomenon at the end of the 18th century in which wealthy Western men stopped using bright colours, elaborate shapes and variety in their dress, which were left ...
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