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In the UK, the song reached the top 10 of the now defunct Asian Network Chart, as compiled by the BBC Asian Network, and had received heavy airplay rotation as part of the album release and prior to being released as a digital single.
There is a clear resemblance between the riff and the French song Colin prend sa hotte (published by Christophe Ballard in 1719), whose first five notes are identical. Colin prend sa hotte appears to derive from the lost Kradoudja, an Algerian folk song of the 17th century.
The Tz'enah Ur'enah (Hebrew: צְאֶנָה וּרְאֶינָה Ṣʼenā urʼenā "Go forth and see"; Yiddish pronunciation: [ˌʦɛnəˈʁɛnə]; Hebrew pronunciation: [ʦeˈʔena uʁˈʔena]), also spelt Tsene-rene and Tseno Ureno, sometimes called the Women's Bible, is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftarahs used in Jewish prayer ...
Barukh she'amar (Hebrew: בָּרוּךְ שֶׁאָמַר, romanized: bāruḵ šeʾāmar, lit. 'Blessed is He who said' or other variant English spellings), is the opening blessing to pesukei dezimra, a recitation in the morning prayer in Rabbinic Judaism. As with many texts in Judaism, it takes its name from the opening words of the prayer.
Snakecharmer, by Sort Sol; Snake Charmer, an EP by Jah Wobble, The Edge and Holger Czukay "Snake Charmer" (Rainbow song), by Rainbow on their 1975 album Ritchie Blackmore's Rainbow "Snake Charmer" (song), by Panjabi MC "Snakecharmer", a song by the band Rage Against The Machine from the album Evil Empire
Snake charmer in Jaipur (India) in 2007. Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi.
HaAderet v'HaEmunah (Hebrew: האדרת והאמונה, 'The Glory and the Faith'), commonly referred to as LeChai Olamim (Hebrew: לחי עולמים), is a piyyut, or Jewish liturgical poem, sung or recited during Shacharit of Yom Kippur in virtually all Ashkenazic communities, and on Shabbat mornings in Chassidic communities.
Anim Zemirot (Hebrew: אנעים זמירות, lit."I shall sweeten songs") IPA: [ʔanˈʕiːm zǝmiːˈroːθ] is a Jewish liturgical poem recited in most Ashkenazic synagogues during Shabbat and holiday morning services; in most communities, it is said at the end of services, and in a small number of communities it is recited at the beginning of services or before the Torah reading.