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The three best known maxims – "Know thyself", "Nothing in excess", and "Give a pledge and trouble is at hand" – were prominently located at the entrance to the temple, and were traditionally said to have been authored by the legendary Seven Sages of Greece, or even by Apollo. In fact, they are more likely to have simply been popular proverbs.
The name Apollo—unlike the related older name Paean—is generally not found in the Linear B (Mycenean Greek) texts, although there is a possible attestation in the lacunose form ]pe-rjo-[(Linear B: ] 𐀟𐁊-[) on the KN E 842 tablet, [8] [9] [10] though it has also been suggested that the name might actually read "Hyperion" ([u]-pe-rjo-[ne]).
Lycurgus Consulting the Pythia (1835/1845), as imagined by Eugène Delacroix.. Pythia was the priestess presiding over the Oracle of Apollo at Delphi.There are more than 500 supposed oracular statements which have survived from various sources referring to the oracle at Delphi.
Layton Schapira views the Cassandra complex as resulting from a dysfunctional relationship with what she calls the "Apollo archetype", an archetype referring to any individual's or culture's pattern that is dedicated to, yet bound by, order, reason, intellect, truth, and clarity that disavows itself of anything occult or irrational. [6]
Cassandra or Kassandra (/ k ə ˈ s æ n d r ə /; [2] Ancient Greek: Κασσάνδρα, pronounced, sometimes referred to as Alexandra; Ἀλεξάνδρα) [3] in Greek mythology was a Trojan priestess dedicated to the god Apollo and fated by him to utter true prophecies but never to be believed. In modern usage her name is employed as a ...
Know thyself" (Greek: Γνῶθι σεαυτόν, gnōthi seauton) [a] is a philosophical maxim which was inscribed upon the Temple of Apollo in the ancient Greek precinct of Delphi. The best-known of the Delphic maxims , it has been quoted and analyzed by numerous authors throughout history, and has been applied in many ways.
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The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...