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Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. [ 2 ] An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty.
″The Deluge″ by Valentin Bousch, 1531. Glass, painted and stained. 11 ft. 10 1/4 in. x 5 ft. 7 in. Metropolitan Museum of Art. Valentin Bousch (circa 1490 – August 1541) was a Renaissance stained glass glazier and painter from Strasbourg, active in the Duchy of Lorraine and the Republic of Metz.
The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...
Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his Primavera, though it is a different shape. [1] The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched ...
A tondo (pl.: tondi or tondos) is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo , "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for ...
This image touches on the idea of elevating one's faith by depicting an image where heaven is defeating hell, which is an important concept within the Christian faith. George B. Rose praised the artist by saying, "Beauty in the context of Renaissance painting was established by Raphael and he is said to have set the standard for other artists."
Nicolas became the patron saint of the Duchy of Lorraine.The current basilica was built in the 15th and 16th centuries and has fine Renaissance painted glass windows by Nicolas Droguet of Lyon, Valentin Bousch of Strasbourg, Hans von Kulmbach and Veit Hirsvogel from Nuremberg, Georges Millereau and other unknown artists, as well as 19th century replacements for lost glass works.
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]