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Claudio Ruccolo (Italian pronunciation: [ˈklaudjo ˈrukkolo]; born 10 January 1985), better known as Claudio Capéo (French: [klodjo kapeo]), is a French singer and accordion player of Italian descent. He grew up in Cernay, Alsace.
Music portal Wikimedia Commons has media related to Accordionists from France . This category is for articles about players of the accordion from the European country of France .
Their inspiration comes from French accordion music, French musette waltzes, Italian folk music, Antillean waltzes, Indonesian kronchong melodies, Argentinean tangos, Jewish and Greek folk music, swing standards, Gypsy romantics, classical music, merengues and tex-mex. A central theme is the role of silence in music.
Amélie is the soundtrack album to the 2001 film of the same name.. Director Jean-Pierre Jeunet was introduced to the accordion and piano-driven music of Yann Tiersen by his production assistant.
Robert Davine (1924-2001) - Professor of Accordion & Music Theory - University of Denver: Lamont School of Music [1] Pietro Deiro (1888–1954) – pioneer of the accordion; Geno Delafose (born 1971) – American zydeco musician; John Delafose (1939–1994) – American zydeco musician; Vladimir Denissenkov (born 1956) – Russian Bayan
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Except for a brief moment in time during the 1830s and 1840s when the accordion was heard by French aristocracy during Salon music concerts, the instrument has always been associated with the common people. The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century ...
Zydeco (/ ˈ z aɪ d ɪ ˌ k oʊ,-d iː-/ ZY-dih-koh, -dee-; French: zarico) is a music genre that was created in rural Southwest Louisiana by Afro-Americans of Creole heritage. It blends blues and rhythm and blues with music indigenous to the Louisiana Creoles, such as la la and juré.