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William Greatbatch (circa 1735 - 29 April 1813 [1]) was a noted potter at Fenton, Staffordshire, from the mid-eighteenth to the beginning of the nineteenth centuries. Fenton was one of the six towns of the Staffordshire Potteries , which were joined in the early 20th century to become the city of Stoke-on-Trent in Staffordshire, England.
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Hamilton's collections were published as Etruscan, although the term was a misnomer, as many of the "Etruscan" items turned out to be pottery of ancient Greece. [ a ] More authentically Etruscan in inspiration was Wedgwood's black basalt stoneware, which was already in development as the Etruria works were being built and came on the market in ...
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A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
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Creamware is made from white clays from Dorset and Devon combined with an amount of calcined flint.This body is the same as that used for salt-glazed stoneware, but it is fired to a lower temperature (around 800 °C as opposed to 1,100 to 1,200 °C) and glazed with lead to form a cream-coloured earthenware. [11]
Collection of Staffordshire figures in a museum in Delaware, US [1]. Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. . Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally abs