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Latino poetry explores a wide variety of personal, social justice, and historical issues, spanning themes of love, death, language, family, and history, [7] as well as discussing real-life events like immigration restrictions, human rights, DACA, and DREAMers. [7] Borders are a prevalent theme of Latino poetry.
Latin American women have been a force of innovation in poetry in Spanish since the sonnets and romances by Sor Juana Inés de la Cruz in the 17th century. [ 25 ] [ 26 ] Sor Juana's poems spanned a range of forms and themes of the Spanish Golden Age , and her writings display inventiveness, wit, and a vast range of secular and theological ...
The only journal of its kind in the United States, Latino Poetry Review published book reviews, essays, and interviews with an eye towards spurring inquiry and dialogue. LPR recognized that Latino poets in the 21st century embrace, and work out of, a multitude of aesthetics. With this in mind, the critical focus is the poem and its poetics.
Ten books by Latino authors, from memoirs, histories and novels to poetry offer a distinctive look at the work of several Hispanic novelists and scholars.
La Comedia profana debuted in Spanish as Braschi's second poetry collection in 1985. [16] The works pays homage to the evolution of poetry and performance, especially comedia dell'arte. [17] "Profane Comedy" is composed of four books of poetry, each with humor and a touch of the grotesque: 1. "Book of Clowns and Buffoons", 2.
Four of his books have received International Latino Book Awards— Radiance, Selected Poems of Emanuel Xavier, Love(ly) Child, and the anthology Me No Habla With Acento: Contemporary Latino Poetry. Three of his books have also been finalists for Lambda Literary Awards— the novel Christ Like, the anthology Bullets & Butterflies: queer spoken ...
Yo-Yo Boing! (1998) is a postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi. [1] [2] The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, memoir, and drama. [3]
By the 1980s, The Council on Interracial Books for Children found that non-Latino authors, who wrote most Chicano books at the time, upheld white racial biases in their books [7] and usually exoticized Latin America. [8] After this report, more Latino authors started to emerge, coinciding with a rise in the Latino population in the United States.
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