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The first wallpaper pattern he designed for his company was the Trellis wallpaper in 1864. It was inspired by the roses he grew on the trellis at his residence, the Red House . However, two years passed between the time he designed the paper and the time he was able to print it to his satisfaction.
To print the pattern Morris used the painstaking indigo dye textile printing method he admired above all forms of printing. He first attempted to print by this method in 1875 but it was not until 1881, when he moved into his factory at Merton Abbey, near Wimbledon, that he succeeded. In May 1883 Morris wrote to his daughter, "I was a great deal ...
Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The Boyhood of Raleigh; Bushel with ibex motifs
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
A wallpaper group (or plane symmetry group or plane crystallographic group) is a mathematical classification of a two-dimensional repetitive pattern, based on the symmetries in the pattern. Such patterns occur frequently in architecture and decorative art , especially in textiles , tiles , and wallpaper .
Peacock tails, in isolation from the rest of the bird, are rare in British heraldry, but are used frequently in German systems. [100] The Indian peacock feathers are used in many rituals and ornamentation and its motifs are widespread in architecture, coinage, textiles and modern items of art and utility. [31]
The Sarimanok is the legendary bird that has become a ubiquitous symbol of Maranao art. It is depicted as a fowl with colorful wings and feathered tail, holding a fish on its beak or talons. The head is profusely decorated with scroll, leaf, and spiral motifs. It is said to be a symbol of good fortune. [2] [3] [4]
The only motifs embroidered on both selvage are a series of triangles with the base towards the selvage and pointing inwards. The design is worked with small squares in a step-ladder fashion. [22] Only the borders and the four edges of the cloth are embroidered in fine embroidery. [8] The subhar has a central motif and four motifs on the ...
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