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Some people report that he concealed the painting (which Leonardo da Vinci painted on wood) under his smock that was larger than him; however, Peruggia was only 160 centimetres (63 in) tall, [6] and the Mona Lisa measures approximately 53 cm × 77 cm (21 in × 30 in), so it would not fit under a smock worn by someone of his size. Instead, he ...
A version of Mona Lisa known as Mujer de mano de Leonardo Abince ("Woman by Leonardo da Vinci's hand", Museo del Prado, Madrid) was for centuries considered to be a work by Leonardo. Since its restoration in 2012, it is now thought to have been executed by one of Leonardo's pupils in his studio at the same time as Mona Lisa was being painted. [167]
The Prado Mona Lisa is a painting by the workshop of Leonardo da Vinci and depicts the same subject and composition as Leonardo's better known Mona Lisa at the Louvre, Paris. The Prado Mona Lisa has been in the collection of the Museo del Prado in Madrid , Spain since 1819, [ 1 ] but was considered for decades a relatively unimportant copy. [ 2 ]
The oil-paint recipe that Leonardo used as his base layer to prepare the panel of poplar wood appears to have been different for the “Mona Lisa," with its own distinctive chemical signature, the ...
Mona Lisa or La Gioconda c. 1503–1516, [d 8] Louvre, Paris. Among the works created by Leonardo in the 16th century is the small portrait known as the Mona Lisa or La Gioconda, the laughing one. In the present era, it is arguably the most famous painting in the world.
While Pizzorusso is not the first to have theorized on the location of the Mona Lisa (in 2011, an art historian attributed the painting’s scenery to a small town called Bobbio, while another to ...
“Leonardo probably endeavored to prepare a thick paint suitable for covering the wooden panel of the Mona Lisa by treating the oil with a high load of lead II oxide, PbO,” the study states.
Mona Lisa (1503–1517) by Leonardo da Vinci is one of the world's most recognizable paintings. Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support").