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[34] [35] Although some were married, upon assuming their role as the Pythia, the priestesses ceased all family responsibilities, marital relations, and individual identity. In the heyday of the oracle, the Pythia may have been a woman chosen from an influential family, well educated in geography, politics, history, philosophy, and the arts.
Lycurgus Consulting the Pythia (1835/1845), as imagined by Eugène Delacroix. Pythia was the priestess presiding over the Oracle of Apollo at Delphi. There are more than 500 supposed oracular statements which have survived from various sources referring to the oracle at Delphi. Many are anecdotal, and have survived as proverbs.
Delphi among the main Greek sanctuaries. Delphi (/ ˈ d ɛ l f aɪ, ˈ d ɛ l f i /; [1] Greek: Δελφοί), [a] in legend previously called Pytho (Πυθώ), was an ancient sacred precinct and the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world.
The Pythia was typically regarded as the foremost oracle within the Greek world, with Herodotus making emphasis on this claim when recounting the story of the Lydian king Croesus. [39] However, prophecies throughout Greek history and mythology were notably vague, and misinterpretation of prophesies would remain a major theme across historical ...
Greek religion and philosophy have experienced a number of revivals, firstly in the arts, humanities and spirituality of Renaissance Neoplatonism, which many believed had effects in the real world. During the period (14th–17th centuries) when ancient Greek literature and philosophy gained widespread appreciation in Europe, this new popularity ...
The Temple of Apollo/Delphi, where Themistoclea lived and taught Pythagoras his ways.. In the biography of Pythagoras in his Lives and Opinions of Eminent Philosophers, Diogenes Laërtius (3rd century CE) cites the statement of Aristoxenus (4th century BCE) that Themistoclea taught Pythagoras his moral doctrines: [2]
Still from Universal's film Damon and Pythias (1914). In 1564, the material was made into a tragicomic play by the English poet Richard Edwardes (Damon and Pythias).; The best-known modern treatment of the legend is the German ballad Die Bürgschaft, [2] written in 1799 by Friedrich Schiller, based on the Gesta Romanorum version.
The priestess of the oracle at Delphi became known as the Pythia, after the place-name Pytho, which Greeks explained as named after the rotting (πύθειν) of the slain serpent's corpse in the strength of Hyperion (day) or Helios (the sun). [12] Karl Kerenyi notes that the older tales mentioned two dragons who were perhaps intentionally ...