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Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian , who are separated in a shipwreck.
Sir Andrew Aguecheek is a fictional character in William Shakespeare's play Twelfth Night, or What You Will. One of the supporting characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish.
Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
Cakes and Ale, or, The Skeleton in the Cupboard (1930) is a novel by the British author W. Somerset Maugham.Maugham exposes the misguided social snobbery levelled at the character Rosie Driffield, whose frankness, honesty, and sexual freedom make her a target of conservative opprobrium.
The Chandos portrait, believed to be Shakespeare, held in the National Portrait Gallery, London. William Shakespeare (1564–1616) [1] was an English poet and playwright. He wrote approximately 39 plays and 154 sonnets, as well as a variety of other poems. [note 1]
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
[5] Frank Kermode praised On the Value of Hamlet in the New York Review of Books in 1970 as being worth several full books of Shakespeare studies. [ 6 ] In 1977 he published an edition with "analytic commentary" of the sonnets for which he won both the 1977 James Russell Lowell Prize and the 1978 Explicator Prize. [ 7 ]
Reflecting on Twelfth Night, Hazlitt considered that his own preference for tragedy could be in part due to his own "saturnine" temperament, and asserted that, regardless of individual preferences, Shakespeare was as skilled in comedy as in tragedy. [186] With this acknowledgement, he had quite a few appreciative comments to make about the ...