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  2. Abstract art - Wikipedia

    en.wikipedia.org/wiki/Abstract_art

    Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.

  3. Lygia Clark - Wikipedia

    en.wikipedia.org/wiki/Lygia_Clark

    Lygia Pimentel Lins (23 October 1920 – 25 April 1988), better known as Lygia Clark, was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the mid-20th century and the Tropicalia movement.

  4. Neoplasticism - Wikipedia

    en.wikipedia.org/wiki/Neoplasticism

    Neoplasticism advocated for a purified abstract art, by applying a set of elementary art principles. Thus, a painting that adhered to neoplastic art theory would typically consist of a balanced composition of simple geometric shapes, right-angled relationships and primary colors.

  5. Robert Motherwell - Wikipedia

    en.wikipedia.org/wiki/Robert_Motherwell

    Robert Motherwell was born in Aberdeen, Washington on January 24, 1915, the first child of Robert Burns Motherwell II and Margaret Hogan Motherwell. The family later moved to San Francisco, where Motherwell's father served as president of Wells Fargo Bank, but returned to Cohasset Beach, Washington, every summer during his youth.

  6. Mark Rothko - Wikipedia

    en.wikipedia.org/wiki/Mark_Rothko

    Mark Rothko (/ ˈ r ɒ θ k oʊ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.

  7. Action painting - Wikipedia

    en.wikipedia.org/wiki/Action_painting

    Instead they were meant to touch the observer deep in the subconscious mind, evoking a sense of the primeval and tapping the collective sense of an archetypal visual language. [11] This was done by the artist painting "unconsciously," and spontaneously, creating a powerful arena of raw emotion and action, in the moment.

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