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"Feelin' Alright?", also known as "Feeling Alright", is a song written by Dave Mason of the English rock band Traffic for their eponymous 1968 album Traffic. It was also released as a single, and failed to chart in both the UK and the US, but it did reach a bubbling under position of #123 on the Billboard Hot 100 .
Feelin' Alright" was serviced to alternative radio stations in the United States on October 19, 1999. [7] To promote the song, Len performed it at festivals such as Edgefest and Fresh Festival, and it appeared in an episode of the television series Daria on February 25, 2000.
The bonus tracks on the 2002 reissue labeled "Original Version" have extended sections and extra lyrics compared to the tracks as released on the original LP. "Feelin' Alright" is a different take of the song, as heard by the different inflections in the lead vocal, placement of the instruments in the stereo mix, and musical differences in the ...
Feeling Alright may refer to: "Feelin' Alright?", a 1968 song by Traffic, made famous by a 1969 version by Joe Cocker retitled "Feeling Alright"; also recorded by many other artists "Feelin' Alright" (Len song), 1999 song by Canadian alternative rock group Len; Feelin' All Right, 1981 album by the New Riders of the Purple Sage
"One Less Bell to Answer" is a song written by Burt Bacharach and Hal David. Originally written in 1967 for Keely Smith, the song was rediscovered in late 1969 by Bones Howe, the producer for the 5th Dimension, and the song was included on the group's 1970 debut album for Bell Records, Portrait. Lead vocals on the single were sung by Marilyn McCoo.
Their first single, "Feelin' Alright", sold over 60,000 copies in the UK [9] and peaked at number 16 on the UK Singles Chart. [11] E.Y.C.'s debut album, Express Yourself Clearly, peaked at number 14 on the UK Albums Chart. [11] The band sold over 500,000 records outside the US. [12]
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Musically, the album is a transitional release between more concise, conventional pop music with avant-garde electronics and free-form jazz improvisations, using a scaled-down, keyboard-led trio format similar to The Nice. The album initially saw release only in the United States, Canada and France, [4] where it made little impact.