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Meiji Memorial Picture Gallery (聖徳記念絵画館, Seitoku Kinen Kaigakan) is a gallery commemorating the "imperial virtues" of Japan's Meiji Emperor, installed on his funeral site in the Gaien or outer precinct of Meiji Shrine in Tōkyō. The gallery is one of the earliest museum buildings in Japan and itself an Important Cultural Property.
Fudoki (風土記) are ancient reports on provincial culture, geography, and oral tradition presented to the reigning monarchs of Japan, also known as local gazetteers.They contain agricultural, geographical, and historical records as well as mythology and folklore. [1]
A hidden village (隠れ里, Kakurezato) was a remote settlement in Japan during its Feudal Period. Often characterized by their inaccessibility and ease of defense, tradition holds that these villages were the dwelling place of the ninja. An example of the location of one of these villages can be found in Kamakura, Kanagawa near Sasuke Inari ...
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
Shugodai (守護代, shugodai) were officials during feudal Japan. [1] Shugodai were representatives of provincial shugo when the shugo could not virtually exercise his power, being often away from his province. Unlike shugo, who were appointed from the central power of samurai estate or Shogunate, shugodai were locally appointed. [1]
“The story of a cook who saw the ghost of counselor Tomo” is the eleventh story of the 27th volume of Konjaku Monogatarishū.In the story, Ban no Yoshio appears in front of a cook after a late night of work and describes himself as a god of pestilence and disease.
According to legend, these treasures were brought to Earth by Ninigi-no-Mikoto, legendary ancestor of the Japanese imperial line, when his grandmother, the sun goddess Amaterasu, sent him to pacify Japan. [5] These treasures were eventually said to be passed down to Emperor Jimmu, who was the first Emperor of Japan and Ninigi's great-grandson. [6]