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Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century.
Another issue concerning adaptations of Austen is that of gender, especially the portrayal of women. Some critics, such as Devoney Looser, have argued that by portraying strong women who are intelligent and socially adept and by emphasising the theme of sisterhood both literally between sisters and metaphorically between female friends, the Austen films become feminist films. [10]
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Writing about the work of Johnson, Irvine wrote that for her, Austen was a radical because it is women like Emma Woodhouse, Mrs. Elton and Mrs. Churchill who really run Highbury society, undercutting traditional gender roles, but Irvine questioned whether this really made Austen into radical, noting it was the wealth and status of the gentry ...
The reign of George III—if one includes in it the Regency period that took place during his final illness – encompasses all of Jane Austen's life, and even beyond, as it started in 1760, just before her parents married in 1764, and ended up in 1820, after the death of Austen in 1817 and the posthumous publication of her two novels ...
The text specifically examines Jane Austen, Mary Shelley, Charlotte and Emily Brontë, George Eliot, Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson.. In the work, Gilbert and Gubar examine the notion that women writers of the nineteenth century were confined in their writing to make their female characters either embody the "angel" or the "monster", a struggle which they ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
She usually emphasized the role of women, with complex narratives and realistic female characters. [28] Gaskell was influenced by the writings of Jane Austen, especially in North and South, which borrows liberally from the courtship plot of Pride and Prejudice. [29]
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