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Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
Conversely, one who reveres or venerates religious images is called (by iconoclasts) an iconolater; in a Byzantine context, such a person is called an iconodule or iconophile. [2] Iconoclasm does not generally encompass the destruction of the images of a specific ruler after their death or overthrow, a practice better known as damnatio memoriae.
According to one scholar, this "was not only a dramatic change in the function of art, it was the context in which our present concept of art, what the literary critic M. H. Abrams called "art as such", first began to take shape", replacing a "construction model" where art theory concerned itself with how makers created their works, with a ...
Significant periods of iconoclasm (deliberate destruction of icons) have occurred in the history of the Church, the first major outbreak being the Byzantine iconoclasm (730-787), motivated by a strictly literal interpretation of the second commandment and interaction with Muslims who have a very strict teachings against the creation of images.
The council represents a moderate party of iconoclasts which affirmed the intercession of saints and Mary, mother of Jesus, as evidenced by one of its anathemas against the one who "does not ask for [the prayers of Mary and the saints] as having the freedom to intercede on behalf of the world according to the tradition of the church". [14]
One of the most important genres of Byzantine art was the icon, an image of Christ, the Virgin, or a saint, used as an object of veneration in Orthodox churches and private homes alike. Icons were more religious than aesthetic in nature: especially after the end of iconoclasm, they were understood to manifest the unique "presence" of the figure ...
Scene 1 : One evening, I came from office and saw my mom going through the profiles of girls who had sent the request to start a conversation further. My mom showed me the picture of a girl. My ...
The promotion of iconoclasm by Emperor Leo III the Isaurian from 726 led to a deepening rupture between the Eastern Empire and the Papacy. Pope Gregory II saw iconoclasm as the latest in a series of imperial heresies. In 731, his successor Pope Gregory III organized a synod in Rome which declared iconoclasm punishable by excommunication.