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The Blasters was critically well received. Reviewing the album in 1982 for The Village Voice, Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a major songwriter, one with John Fogerty's bead on the wound-tight good times of America's tough white underbelly, though his focus is shallower ...
The Blasters toured almost continuously for much of their heyday. The notes for The Blasters Collection observed that in one particular month, they toured with a wide range of acts: the all-girl band The Go-Go's, psychobilly pioneers the Cramps, with western swing revivalists Asleep at the Wheel and on a leg of Queen's west coast tour.
After the fifth trumpet blast, the sixth one sounds. [12] This is the "second woe", where four angels are released from their binds in the "great river Euphrates ". They command a force of two-hundred million mounted troops whose horses exude plagues of fire, smoke, and brimstone from their mouths.
Alvin grew up in Downey, California in a music-loving family where he and his younger brother Dave Alvin were exposed to blues, rockabilly, and country.Inspired and influenced by the music they grew up with, Phil and Dave formed the rock and roll band The Blasters in the late 1970s with fellow Downey residents Bill Bateman and John Bazz. [2]
American Music is the debut album by American rock band The Blasters, released in 1980. [1] The song "Marie Marie" became a breakthrough hit for Shakin' Stevens in 1980 (from This Ole House). Matchbox recorded the song for their 1980 album Midnite Dynamos. In 1997, the album was released on CD by Hightone Records. [2]
A pastor friend has framed the situation as such: While Old Testament God, the fiery vindicator, obliterated cities of sin Sodom and Gomorrah with sudden acts of nature, patient New Testament God ...
Hard Line is the fourth album by the American roots rock band the Blasters, released in 1985. [7] [8] Dave Alvin quit the band shortly after the album's release. [9]The album peaked at No. 86 on the Billboard 200.
The album was produced by the Blasters; the band intended for it to be a concept album about "lost dreams," and a refutation of their revivalist music party image. [7] [8] "Long White Cadillac" is dedicated to Hank Williams. [9] "Tag Along" is a cover of the Rocket Morgan song. [10]