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1861 pattern for a woman's lace collar using Hutton's waved lacet braid 19th-century industrial braiding machine creating rickrack and the Museum of Crafts and Industry, St. Etienne, France. In the 1860s, rickrack was known as waved crochet braid or waved lacet braid. [6]
Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
Aprons of the 1920s mirror the style of the times: loose and long. Often closed with a button and adorned with needlework, many aprons styles emerged during this era and stores began selling patterns and kits to make and adorn aprons at home. [1] Aprons of this period followed the silhouette of dapper fashions—long, with no waist line.
The aprons are organized by U.S. state, with aprons from Canada and Australia also on display. [1] Similarly to the Museum of Bags and Purses in Amsterdam, the Apron Museum treats its subject as an art form, demonstrating how artists drew their apron patterns out, the period needlework, the stitching and sewing techniques, and how they were ...
Formal trousers were originally introduced in the first half of the 19th century as a complement to the then widely worn frock coat.As established formal day attire trousers, they were subsequently introduced to go with the morning dress, which in turn gradually replaced the frock coat as formal day attire standard by 20th century, along with its semi-formal equivalent black lounge suit.
The pastel blue cabinetry pops against a fireclay apron-front sink (House of Rohl) and glazed wall tiles . Cabinet Paint Color: Wedgewood Gray by Benjamin Moore Tara Donne
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