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Hamidur Rahman (artist) (1928–1988) Abdur Razzaque (1932–2005) S. Abdus Shakoor (born 1947) SM Sultan (1923–1994) Shamim Sikder (born 1953) T.
Bharat Mata (1905), by Abanindranath Tagore, a pioneer of the movement and Rabindranath Tagore's nephew.. The Bengal School of Art, commonly referred as Bengal School, [1] was an art movement and a style of Indian painting that originated in Bengal, primarily Calcutta and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century.
Potters have been receiving attention for sculpting Bengali deities. Dokra is unique folk art of West Bengal. Metal casting dokra mask is created various contemporary sculptures with this art form. Gita Karmakar, a female artist from Bankura, has been awarded the President's award. Her works of Dokra art are equally popular in other countries.
Bengali male artists (54 P) Bengali women artists (19 P) Pages in category "Bengali artists" The following 5 pages are in this category, out of 5 total.
This article provides lists of famous and notable Bengali people in the Indian subcontinent, people with Bengali ancestry, and people who speak Bengali as their primary language. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Selim, Lala Rukh (2000). "Women in the Contemporary Art World of Bangladesh: Images and Reality". In Panandiker, V. A. Pai; Behera, Navnita Chadha (eds.). Perspectives on South Asia. Delhi: Konark Publishers. OCLC 44503780. Shamsuzzaman, Abdul Fazal (1992). Who's Who in Bangladesh Art Culture Literature (1901-1991). Tribhuj Prakashani. OCLC ...
Baul or Bauls (Bengali: বাউল) are a group of mystic minstrels from Bengal, which includes the country of Bangladesh and the Indian State of West Bengal. [1] [2] Lalon is regarded as the most important poet-practitioner of the Baul tradition.
The 1990s saw greater connections between artists and their audience through increasing art venues and art sales. [12] Samdani Art Foundation was established in early 2010s and massively changing the scenario of contemporary art and culture via events such as the Dhaka Art Summit where "international, non-commercial research and exhibition ...
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