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For general consumers, slides were replaced with technologies such as video camcorders and photo CDs (bundled with a set of prints). Film itself, both slide and print, was made scarce by digital photography. Slide film remains available as a professional and enthusiast product, and is available from camera stores and through mail order.
The optical slide camera could be used to create a number of types of slides and special effects commonly used in multi-image presentations: Duplicates: copies of transparencies; Copy slides: slides made by top-light copying of artwork or illustrations; Title burns: made by making multiple exposures through a series of mattes, such as text slides
A slide copier is a simple optical device that can be fastened to the lens mount of a camera to enable slide duplicates to be made. Whilst these devices were formerly used to make duplicates on to slide film , they are often now used in conjunction with digital cameras to digitize images from film-based transparencies.
The film was loaded into 35mm film canisters for still photography use, and the company returned an unexposed roll with each order. In the 1980s, Seattle FilmWorks aggressively marketed its products and services and offered two rolls of Seattle FilmWorks film for US$2.00. It advertised in newspapers, magazines, and package inserts.
Most famously, Tarantino suggested in 2012 that he wanted to retire because (although he can still shoot on film) he cannot project on 35mm prints in most American cinemas, because of the rapid conversion to digital. [18] Paul Thomas Anderson recently was able to create the most 70mm film prints in years for his film The Master.
It used 35mm slide film to produce stereo pair images in the standard 5P Realist format. This allowed Kodak Stereo Camera owners to use most accessories and services originally designed for the Stereo Realist. It was the second best selling stereo camera of the 1950s era, eclipsed only by the Stereo Realist.
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