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Print/export Download as PDF; Printable version; ... Uncle Hokum's Fiddle for solo violin (2013), Grey Bird Music; Dai Fujikura "Samarasa" for solo violin (2010) G.
Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt; Violin Concerto No. 2 in D minor "in the Hungarian manner", Op. 11 (1861) Violin Concerto No. 3 in G major, WoO (1875) David Johnstone. The Four Seasons, for Violin solo and string orchestra (pub. 2008)
Mark O'Connor: Double Violin Concerto for 2 violins and symphony orchestra Arvo Pärt : Tabula Rasa for 2 violins, prepared piano and string orchestra Marta Ptaszynska : Concerto Grosso for 2 violins and chamber orchestra (1996.)
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo. In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam. The violin is also a principal instrument for Indian film music. V.
A solo oboe enters with the strings in G major, after which the solo violinist enters and begins a simple melody. This melody comes from a Chinese folk song of the Yellow River (Huanghe), and tells the story of Zhu Yingtai's childhood. The solo violin is accompanied by a harp and other elements of the orchestra.
Title page of 12 Fantasias for Solo Violin. Georg Philipp Telemann's collection of 12 Fantasias for Solo Violin, TWV 40:14–25, was published in Hamburg in 1735. It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in 1732–33, as well as a set of twelve ...
The music Mozart jotted down in the book is fairly close to the opening bars of the third movement of his Piano Concerto No. 17 in G, K. 453, which Mozart had completed a few weeks earlier (12 April). Presumably, Mozart taught the bird to sing this tune in the pet store, or wherever it was that he bought it.
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