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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
The White Fence, also known as The White Fence, Port Kent, New York, is a black and white photograph taken by American photographer Paul Strand, in 1916. The picture was published in the magazine Camera Work , in June 1917, whose editor was Alfred Stieglitz , where it was highly praised by him, specially for its "abstract qualities". [ 1 ]
Elisabeth Sunday (born 1958) is an American photographer known for her powerful black and white portraits of people in Africa and Asia. Her subjects have included Akan fishermen in Ghana, Koro men in the Omo Valley of Ethiopia, and nomadic women in Algeria, Mauritania, Mali and Niger, as well as people in Kenya and Zaire.
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles.
Ogle Winston Link [1] (December 16, 1914 – January 30, 2001), known commonly as O. Winston Link, was an American photographer, best known for his black-and-white photography and sound recordings of the last days of steam locomotive railroading on the Norfolk and Western in the United States in the late 1950s.
Originally, all photography was monochrome, or black-and-white. Even after color film was readily available, black-and-white photography continued to dominate for decades, due to its lower cost, chemical stability, and its "classic" photographic look. The tones and contrast between light and dark areas define black-and-white photography. [42]
Corky's photography became a catalyst for ethnic studies, ensuring that the history of Asian and Pacific Islander Americans would be accurately researched, depicted, and taught.
Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood is a black and white photograph taken in 1989 by photographer and director Herb Ritts (American, 1952–2002). The subject of the photograph is a group of five women coyly entwined together in an embrace.
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