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A courtyard house in Fes. Traditional Moroccan houses can be divided into two categories: the dar (Arabic: دار) and the riyad or riad (Arabic: رياض). Both are organized around a central courtyard or patio, known as the wast ad-dar (Arabic: وسط الدار, lit. 'middle of the house').
A riad garden in the Bahia Palace of Marrakesh, built in the late 19th and early 20th centuries. A riad or riyad (Arabic: رياض, romanized: riyāḍ) is a type of garden courtyard historically associated with house and palace architecture in the Maghreb and al-Andalus.
The houses form one building used to be distributed around one open courtyard and each house had a private staircase from the courtyard to the upper floors. The design had two apartments per floor and each apartment was built on a small lot of land. Al-Sitt Sakna house is an example for this type. [8]
Traditional Moroccan houses were typically centered around a courtyard or patio, often surrounded by a gallery, from which other rooms and sections branched off. [134] [117] Courtyard houses have historical antecedents in the houses and villas of the Greco-Roman Mediterranean world and even earlier in the ancient Middle East. [117]
[40] [41] It has a very different design from earlier mosques, with a nearly square floor plan divided between a rectangular courtyard and a rectangular prayer hall. The open-air courtyard has a central fountain and is surrounded by a portico of arches and domes, with a decorated central portal leading into the courtyard from the outside and ...
The floor plan is nearly square but is divided between a rectangular courtyard and a rectangular prayer hall. The courtyard has a central fountain and is surrounded by a portico of arches and domes, with a decorated central portal leading into the courtyard from the outside and another one leading from the courtyard into the prayer hall.
It has long been customary to decorate houses and palaces with large open spaces and gardens dominated by fragrant flowers, fountains, canals, wells, ponds, [2] frescoes with mythological scenes, and marble medallions (on walls), forming ornate but harmonious shapes with the intention to represent the Garden of the Paradise as imagined by the Classical and Muslim architects.
A key style of the 1930s was the Moorish (Romanian: stilul Maur), aka Moorish-Florentine (Romanian: stilul mauro-florentin) or Mediterranean Picturesque (Romanian: stilul pitoresc mediteranean), which eclectically uses Romanesque, Gothic and Renaissance elements in civic architecture, with a Mediterranean vibe.
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