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Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all instruments.
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The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Kennedy, Michael. 2006. "Sprechgesang, Sprechstimme". The Oxford Dictionary of Music, second edition, Joyce Bourne, associate editor. Oxford and New York: Oxford University Press.
Playing the violin entails holding the instrument between the jaw and the collar bone (see below for variations of this posture). The strings are sounded either by drawing the bow across them , or by plucking them . The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingers, producing ...
Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and overblowing into a wind instrument without a mouthpiece, or inserting objects on top of the strings ...
Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/ timbral variation are mostly determined by the hand that physically produces the sound.
Tapping can be used to play polyphonic and counterpoint music on a guitar, making available eight (and even nine) fingers as stops. For example, the right hand may fret the treble melody while the left hand plays an accompaniment. Therefore, it is possible to produce music written for a keyboard instrument, such as J.S. Bach's Two-part Inventions.