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An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
The design is sometimes interpreted as the arms of warriors caught in haka (fierce rhythmic dance) action. The niho taniwha (taniwha tooth) pattern is a notched-tooth design found on all types of objects, mats, woven panels, belts, and clothing. The poutama is a stepped design signifying the growth of man, striving ever upwards.
Some of the names of tukutuku patterns are: [3] poutama – a stepped pattern, said to represent whakapapa, learning and the ascent of the god Tāne-o-te-wānanga into the heavens to attain superior knowledge and religion. [8] [9] roimata toroa – meaning "albatross tears", formed with vertical stitches and said to represent misfortune and ...
The multi-disciplinary design group Brenner Associates was established in 1949 and specialised graphic design agencies including that of Bill Haythornthwaite emerged in the post-war period. Much industrial, interior, graphic, jewellery and fashion design in New Zealand was influenced by international trends although distinctive New Zealand ...
Traditional pā took a variety of designs. The simplest pā, the tuwatawata, generally consisted of a single wood palisade around the village stronghold, and several elevated stage levels from which to defend and attack. A pā maioro, general construction used multiple ramparts, earthen ditches used as hiding posts for ambush, and multiple rows ...
Maori Rafter Pattern 'Untitled' Date: 1896: Source: Derived from Maori Art. Author: Augustus Hamilton: Licensing. Public domain Public domain false false:
Manaia pounamu carving. The Manaia is a mythological creature in Māori culture, and is a common motif in Māori carving [1] and jewellery.. The Manaia is usually depicted as having the head of a bird and the tail of a fish and the body of a man, though it is sometimes depicted as a bird, a serpent, or a human figure in profile.
As a result, today, many Māori have made an attempt to resurge traditional patterns and carvings within mainstream art through programs like the Māori Arts and Crafts Institute. [5] They have made it their mission to preserve traditional toi whakairo, and have opened various programs and classes to pass their traditions to younger generations.
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