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Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format, 35 mm film SLR, and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of focus ...
The 1961 35 mm f / 3.5 PC-Nikkor lens—the first perspective-control lens for a 35 mm camera. In photography, a perspective-control lens allows the photographer to control the appearance of perspective in the image; the lens can be moved parallel to the film or sensor, providing the equivalent of corresponding view camera movements.
A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
The Canon TS-E 17 mm f / 4L is a tilt-shift, ultra-wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus .
The Nikon PC-E Nikkor 24mm f/3.5D ED Lens is a tilt-shift, wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Nikon F-mount camera bodies. Its ultra-wide perspective control features tilt, shift and rotation capability, well-suited for architectural and nature photography .
Pages in category "Perspective-control lenses" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. C.
Rise is a very important movement especially in architectural photography. Generally, the lens is moved vertically—either up or down—along the lens plane to change the portion of the image captured on the film. In the 35 mm format, special shift lenses (sometimes called perspective control lenses) emulate the rise or fall of view cameras.
Note that linear perspective changes are caused by distance, not by the lens per se – two shots of the same scene from the same distance will exhibit identical perspective geometry, regardless of lens used. However, since wide-angle lenses have a wider field of view, they are generally used from closer, while telephoto lenses have a narrower ...