Search results
Results from the WOW.Com Content Network
WMAL-FM (105.9 MHz) – branded 105.9 FM WMAL – is a radio station licensed to Woodbridge, Virginia, serving the Washington, D.C. Metro area.WMAL-FM airs a talk radio format and is owned and operated by Cumulus Media. [2]
WOCL (105.9 FM "Sunny FM") is a commercial radio station, licensed to DeLand, Florida, and serving Greater Orlando and Central Florida.It is owned by Audacy, Inc., and airs a classic hits radio format, focusing on the hits from the 1980s but with some 90s and 2000s titles as well. [1]
In 1974, the WJZZ call letters landed on Detroit station WCHD-FM. WJZZ (105.9 FM) was a popular classic jazz/jazz fusion station in Detroit and became one of the first U.S. stations ever to use the smooth jazz format. WJZZ was flipped to an urban contemporary format in August 1996, and its call sign changed back to WCHD, then later to WDMK.
Chas. A. Alicoate, ed. (1957), "Amplitude Modulation Stations - AM: Delaware", Radio Annual and Television Yearbook, New York: Radio Daily Corp., OCLC 10512206 ...
Smooth jazz as a radio format has its roots in the construction of what were once called "beautiful music" stations, which generally played fifteen-minute sets consisting of instrumentals bookending a vocal song or two. The incubators of the format were specialty shows at night or on the weekends, in places such as Atlanta (WQXI-FM and WVEE-FM ...
Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
Public radio/News/Classical/Jazz KZNZ: 91.5 FM: Elkhart: Kanza Society, Inc. Public radio/News/Classical/Jazz KZQD: 105.1 FM: Liberal: Mario Loredo: Spanish variety KZRD:
The re-launch of 101.9 was accompanied by a new television advertising campaign which featured Al Jarreau, Miles Davis, Kenny G, Bobby McFerrin and Herb Alpert [21] –all artists whose music formed the core of the new smooth jazz format, which proved successful and long-lasting for a station that had not been used to stability in its programming.