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The Descent from the Cross, also known as the Deposition of Christ, is a subject in Christian art that is based on several passages in the Bible. The main scriptural basis for this subject can be found in the Gospels of Matthew (Mt. 27: 57-60), Gospels of Mark (Mk. 15:43-46), Gospels of Luke (Lk. 23:50-53), and Gospels of John (Jn. 19:38-42 ...
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).
The Descent from the Cross c. 1435.Oil on oak panel, 220cm × 262 cm. Museo del Prado, Madrid The Descent from the Cross (or Deposition of Christ, or Descent of Christ from the Cross, or in Flemish Kruisafneming) is a panel painting by the Flemish artist Rogier van der Weyden created c. 1435, now in the Museo del Prado, Madrid.
The large-size altarpiece revolutionizes the usual illustrations of Jesus' Descent from the Cross of the Cinquecento and engrosses the idea of the holy Eucharist: The kneeling lady in the foreground as a symbolic embodiment of the duchess who receives the Body of Christ like a lover for supper (cf. John 6:54–59). [4]
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque , raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [ 2 ]
The Descent from the Cross may refer to one of several paintings by Peter Paul Rubens: The Descent from the Cross (Rubens, 1600–1602), Siegerland-Museum, Siegen, Oberes Schloss; The Descent from the Cross (Rubens, 1612–1614), Antwerp Cathedral; The Descent from the Cross (Rubens, 1617), Palais des Beaux-Arts de Lille
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