Search results
Results from the WOW.Com Content Network
In “Amahal and the Night Visitors: A Guide to the Tenor of Love,” Lorrie Moore writes about a breakup between the main character, Trudy, and her boyfriend, Moss. She writes the story in second person, along with the majority of her other stories, so that the reader can connect with the characters on a personal level.
“Nightmusic” is from a first-person point-of-view, present tense, by a child narrator. The story is presented in eight parts. Part 1: A five-year-old musician is being groomed to observe a formal performance from the only instrument that he fears: the trumpet.
The story concerns an asteroid miner who discovers a pink cube. A black substance starts to come out of the cube, driving the miner back to his small hut. As the mysterious black substance reaches the hut, it breaches the air locks and proceeds to consume the miner. 1960 People, Places and Things (unpublished short story collection)
Grimscribe: His Lives and Works is a 1991 collection of short stories in the horror genre by American author Thomas Ligotti. [1] [2] The book was Ligotti's second short story collection to be published, following Songs of a Dead Dreamer.
The missing ones are a movie outline of The Songs of Distant Earth (from "The Sentinel"; this is not the short story of the same name) and a short sketch titled "When the Twerms Came", which originally appeared in Clarke's non-fiction book The View from Serendip (1978) and was later reprinted in the 1987 edition of The Wind from the Sun.
Night Shift is Stephen King's first collection of short stories, [1] first published in 1978. In 1980, Night Shift won the Balrog Award for Best Collection, and in 1979 it was nominated as best collection for the Locus Award and the World Fantasy Award .
(These are short story collections except as noted. Listed by year of publication.) The City of Dreadful Night (1885), short story [1] – later published as The City of the Dreadful Night in Little Blue Book No. 357
"Night Lights" is a 1956 song by written by Sammy Gallop and Chester Conn, recorded by Nat King Cole, and released as a single on the Capitol Records label. The song reached number 17 on the Best Sellers in Stores chart in Billboard Magazine. It was ranked as one of the top songs of the year by Billboard in 1956. [1]