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Gregorio Vasquez de Arce y Ceballos, most of his work is religious in nature [601] Juan Bautista Vázquez the Elder and Juan Bautista Vázquez the Younger, both sculpted Catholic religious art as did most in the Sevillian school of sculpture [602] [603] Vecchietta, religious art in the Cappella del Sacro Chiodo and in varied churches [604] [605]
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Jesus healing the bleeding woman, Roman catacombs, 300–350. Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525.
Much Christian art borrowed from Imperial imagery, including Christ in Majesty, and the use of the halo as a symbol of sanctity. Late Antique Christian art replaced classical Hellenistic naturalism with a more abstract aesthetic. The primary purpose of this new style was to convey religious meaning rather than accurately render objects and people.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
It was the most popular among the styles of the early Trecento artistic period. [13] Half-length Madonnas are the form most frequently taken by painted icons of the Eastern Orthodox Church, where the subject matter is highly formulated so that each painting expresses one particular attribute of the "Mother of God".
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