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The Seasons or The Four Seasons is a set of four paintings produced in 1563, 1572 and 1573 by the Italian artist Giuseppe Arcimboldo. He offered the set to Maximilian II, Holy Roman Emperor in 1569, accompanying The Four Elements. Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season.
Arcimboldo-style fruit people appear as characters in the films The Tale of Despereaux (2008) and Alice Through the Looking Glass (2016), as well as in the Cosmic Osmo video game series. In David Foster Wallace 's story The Suffering Channel , there is a "large framed print of someone's idea of a circus clown's face and head constructed wholly ...
A. Adam and Eve (Dürer) Adam and Eve (Tamara de Lempicka) Adam and Eve (Tintoretto) Adam and Eve (Valadon) Adam and Eve (Cranach) Adam and Eve in the Garden of Eden
Van Huysum's work determined the "main trends in flower paintings for sixty to eighty years after his death." [14]Fruit and flower artists whose work is described as inspired by or analogous to that of Jan van Huysum: Jacob van Huysum (his brother), Justus van Huysum (his father), Pieter Faes, Wybrand Hendriks, Paul Theodore van Brussel, Jacobus Linthorst, Jan van Os, George Jacob Jan van Os ...
Her artwork consists mainly of paintings and outdoor murals depicting close-ups of fruit like pomegranate, peaches, figs, kiwi, and other citrus fruits. It captures macro details of fresh fruit cut open when ripe. [2] It has been described by Signet Contemporary Art as 'intimate, surprising, enigmatic, and bold .' [3] [non-primary source needed]
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
Fede Galizia, better known as Galizia, (c. 1578 – c. 1630) was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art.
As well as Chardin, Cézanne was influenced by the Spanish and Dutch artists of the genre. [1] Fruit was the central motif in much of Cézanne's still-life work, and in his earlier paintings he would often place the fruit separately from each other, as seen in his 1879 work Vessels, Fruit and Cloth. In the 1880s he changed the structure of his ...
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