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The woman is dressed in a colonial print apron evoking 20th-century rural Americana while the man is adorned in overalls covered by a suit jacket and carries a pitchfork. The plants on the porch of the house are mother-in-law's tongue and beefsteak begonia, which also appear in Wood's 1929 portrait of his mother, Woman with Plants. [4]
The dentist, Dr. Byron McKeeby (1867–1950), was from Cedar Rapids. The couple are in the traditional roles of men and women, the man's pitchfork symbolizing hard labor. The woman is dressed in a dark print apron mimicking 19th-century Americana with a cameo brooch.
Man and Woman is an oil-on-canvas painting executed in 1921 by the French artist Fernand Léger. The painting is a cubist portrait of a man and a woman locked in a passionate embrace at odds with their depersonalized, industrialized setting. The painting is held by the Indianapolis Museum of Art, United States. [1]
A Woman Receiving a Man in the Doorway 1669 72.4 × 63.5 cm private collection: unknown Man with a glass and a woman with a jug in an interior 1669 51 × 47 cm private collection: unknown Music making company with a monkey on a terrace 1669 71 × 85.5 cm private collection: England Young woman feeding a parrot, with a man and a serving woman
A Man and A Woman is the title sometimes used for a pair of oil and egg tempera on oak panel [1] paintings attributed to the Early Netherlandish painter Robert Campin, completed c. 1435. Although usually considered pendants or companion pieces, they may also have been wings of a since dismantled diptych . [ 2 ]
The Chicago Picasso, 1967 In 1964, Pablo Picasso approved the construction of one of his sculptures, depicting his wife Jacqueline, to be erected in Kristinehamn (Sweden) at Strandudden by lake Vänern. Carl Nesjar was commissioned to carry out the construction. The Picasso sculpture in Kristinehamn Sweden was inaugurated in 1965, is 15 meters high, and is the largest Picasso sculpture in the ...
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The painting was one of twelve known as the Wild Paintings. [1] Half of these were painted on copper whilst the remaining six were on the type of hardboard called Masonite. These were constructed in the period of public rioting in Spain that resulted in the Civil War. Miró said this painting was about a period of unease.
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