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Within its first next few years, though, plain black soon became the only established practice, and with a moderate collar. The top hat followed suit. Although black trousers did occur, especially at daytime, the black frock coat was commonly worn with charcoal grey, pin-striped or checked formal trousers.
The American "sack suit", which became a staple of the Ivy League style, was introduced by Brooks Brothers in 1895. [46] [47] Brooks Brothers popularized pink as a color for men's dress shirts, suggesting it be worn with charcoal-gray suits. [48] [49] Shetland sweater, introduced in 1904 [50] Harris Tweed, introduced to the fashion marketplace ...
A zoot suit (occasionally spelled zuit suit [1]) is a men's suit with high-waisted, wide-legged, tight-cuffed, pegged trousers, and a long coat with wide lapels and wide padded shoulders. It is most notable for its use as a cultural symbol among the Hepcat and Pachuco subcultures.
The New York Times Style Magazine explains one iconic suit of the era, the gray flannel suit: Back in 1955, when denim was the height of rebelliousness, Sloan Wilson's novel The Man in the Gray Flannel Suit turned a men's classic into a synonym for drab, middle-class conformity . . . Flannel had humble beginnings — the name is reputedly ...
"Half don’t want to buy a suit at all and half want to buy a $1000 suit instead. They are also throwing a fit about us wanting brown shoes and belts for the men because half prefer black." Getty
Dark charcoal gray was the usual color, and the era of the gray flannel suit was born. By the later 1950s, a new Continental style of suit appeared from the fashion houses of Italy, with sharper shoulders, lighter fabrics, shorter, fitted jackets and narrower lapels. [46] [49]
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