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The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the ...
For a list of non-Italian produced European Westerns, see the list of Euro-Western films. In the 1960s, the spaghetti Western genre grew in popularity. Films, particularly those of the influential Dollars trilogy, spawned numerous films of the same ilk and often with similar titles, particularly from the mid to late 1960s and early 1970s. By ...
This sub-genre includes the post-Western, neo-Western, and urban Western genres that include "the cowboy cult" in a modern setting that involves the audience's feelings and understanding of Western movies. [1] A neo-Western can be said to use Western themes set in the present day. [2]: 62 According to Stephen Teo in Eastern Westerns: Film and ...
Within the song, there are samples from spaghetti Western movies such as A Fistful of Dollars, The Good, the Bad and the Ugly, and Duck, You Sucker!. [60] Video game studio Rockstar Games utilized aspects of the spaghetti Western, and paid homage to it in their Red Dead Redemption series, as well as in its predecessor, Red Dead Revolver. [61]
Contemporary Western News of the World: Paul Greengrass: Tom Hanks, Helena Zengel: December 25, 2020: United States: Traditional Western 2021: Catch the Bullet: Michael Feifer Jay Pickett, Mason McNulty, Gattlin Griffith: United States B Western The Drover's Wife: The Legend of Molly Johnson: Leah Purcell: Leah Purcell, Rob Collins, Sam Reid ...
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The name 'Spaghetti Western' originally was a pejorative term, given by foreign critics to these films because they thought they were inferior to American westerns. [112] Most of the films were made with low budgets, but several still managed to be innovative and artistic, although at the time they did not get much recognition, even in Europe ...
In his investigation of narrative structures in Spaghetti Western films, Fridlund discusses A Reason to Live, a Reason to Die mostly in terms of the "infiltrator" plot introduced in A Fistful of Dollars, where the Man With No Name joins a gang with hidden agendas of his own. Eli is an infiltrator entering the fort and piling one false motive on ...
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