Search results
Results from the WOW.Com Content Network
A full beard that features a goatee, full mustache and horizontal chinstrap with all hairs on the upper cheeks and sideburns removed. [29] Ned Kelly beard: A beard with the length of more than 20 cm. A Ned Kelly beard is a style of facial hair named after 19th-century Australian bushranger and outlaw Ned Kelly. [30] Verdi beard
The shape of the face is influenced by the bone-structure of the skull, and each face is unique through the anatomical variation present in the bones of the viscerocranium (and neurocranium). [1] The bones involved in shaping the face are mainly the maxilla , mandible , nasal bone , zygomatic bone , and frontal bone .
Facial shape changes depend on the character's mood, and can look from round apple-shaped to a more subtle carrot shape. [citation needed] Parallel vertical lines with dark shading over the head or under the eye may represent mortification, fatigue, or horror. [D 3]: 24 If the lines are wavy, they may represent disgust. A far cuter way to ...
It should only contain pages that are Facial features or lists of Facial features, as well as subcategories containing those things (themselves set categories).
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The facial skeleton comprises the facial bones that may attach to build a portion of the skull. [1] The remainder of the skull is the neurocranium . In human anatomy and development, the facial skeleton is sometimes called the membranous viscerocranium , which comprises the mandible and dermatocranial elements that are not part of the braincase.
In France, the concept was further developed in the 20th century under the name morphopsychology, developed by Louis Corman (1901–1995), a French psychiatrist who argued that the workings of vital forces within the human body resulted in different facial shapes and forms. [36]
Corporate Memphis style artwork featuring characters with blue, orange, and purple skintones. Common motifs are flat human characters in action, with disproportionate features such as long and bendy limbs, [2] small torsos, [5] minimal or no facial features, and bright colors without any blending.