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Allusion. Allusion is a figure of speech, in which an object or circumstance from an unrelated context is referred to covertly or indirectly. [1][2] It is left to the audience to make a direct connection. [3] Where the connection is directly and explicitly stated (as opposed to indirectly implied) by the author, it is instead usually termed a ...
Intertextuality. Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, [1][2][3][4][5] or by interconnections between similar or related works perceived by an audience or reader of the text. [6]
Albatross (metaphor) The albatross visits the Mariner and his crew in Samuel Taylor Coleridge 's The Rime of the Ancient Mariner, illustrated in 1876 by Gustave Doré. The word albatross is sometimes used metaphorically to mean a psychological burden (most often associated with guilt or shame) that feels like a curse.
Damocles[a] is a character who appears in a (likely apocryphal) anecdote commonly referred to as "the sword of Damocles ", [1][2] an allusion to the imminent and ever-present peril faced by those in positions of power. Damocles was a courtier in the court of Dionysius I of Syracuse, [3] a ruler of Syracuse, Sicily, Magna Graecia, during the ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1][2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Platonism. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature ". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates and is narrated by the latter.
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In a 1988 study, Jungian analyst Laurie Layton Schapira explored what she called the "Cassandra complex" in the lives of two of her analysands. [5]Based on clinical experience, she delineates three factors constituting the Cassandra complex: