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The use of Auto-Tune in hip hop gained a resurgence in the mid-2010s, especially in trap music. Future and Young Thug are widely considered to be the pioneers of modern trap music and have mentored or inspired popular artists such as Lil Baby , Gunna , Playboi Carti , Travis Scott , and Lil Uzi Vert .
In a November 2008 interview, T-Pain revealed that Diddy had paid him for the right to use Auto-Tune in T-Pain's style on the then-upcoming Last Train to Paris, and he felt that other artists should do the same. [88] In 2009, Jay-Z released the single "D.O.A. (Death of Auto-Tune)", which criticized the practice. The song directly mentioned T ...
The song was criticized for its use of Auto-Tune, the choice of recording artists, and for the song's rap. Chris Richards, a writer for The Washington Post, described the song as being "horribly oversung". [25]
Nayvadius DeMun Cash [8] (né Wilburn; born November 20, 1983), known professionally as Future, is an American rapper, singer-songwriter, and record producer.Known for his mumble-styled vocals and prolific output, Future is considered a pioneer of the use of Auto-Tuned melodies in trap music.
Roger Lynch Troutman (November 29, 1951 – April 25, 1999) [1] [2] was an American singer, songwriter, musician, and record producer.. Troutman frequently used the talk box, a device that is connected to an instrument (frequently a keyboard, but most commonly a guitar) to create different vocal effects.
"D.O.A. (Death of Auto-Tune)" is a song written by American rapper Jay-Z and produced by No I.D. The song was released as a digital download on June 23, 2009, and as the first single from Jay-Z's 11th studio album, The Blueprint 3 .
Grammy and Oscar-winning recording artist Prince performs the song "Purple Rain" at the 46th Annual Grammy Awards held at the Staples Center on February 8, 2004 in Los Angeles, California. Tom ...
Cher's vocals were processed using the pitch correction software Auto-Tune. Auto-Tune was designed to be used subtly to correct sharp or flat notes in vocal performances; however, Taylor used extreme settings to create unnaturally rapid corrections, thereby removing portamento , the natural slide between pitches in singing. [ 7 ]