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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Vision of the Apocalypse, also known as The Revelation of John the Evangelist, is a tempera painting by Thomas Bathas. The massive icon is over four hundred years old. Bathas was from the island of Crete. He was a painter active during the second half of the 16th century. He was active in Heraklion, Venice, and Corfu.
The Lamb opening the book/scroll with seven seals. The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
The red Dragon spoken of in Revelation 12:3 – "And there appeared a great wonder in heaven; and behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads" [90] – are interpreted as symbolic of the seven provinces dominated by the Umayyads: Damascus, Persia, Arabia, Egypt, Africa, Andalusia, and Transoxania ...
John of Patmos (also called John the Revelator, John the Divine, John the Theologian; Ancient Greek: Ἰωάννης ὁ Θεολόγος, romanized: Iōannēs ho Theologos) is the name traditionally given to the author of the Book of Revelation. Revelation 1:9 states that John was on Patmos, [1] an Aegean island off the coast of Roman Asia ...
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
The symbols are shown with, or in place of, the Evangelists in early medieval Gospel Books, and are the usual accompaniment to Christ in Majesty when portrayed during the same period, reflecting the vision in Revelation. They were presented as one of the most common motifs found on church portals and apses, as well as many other locations. [8]