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Thor: Ragnarok (Original Motion Picture Soundtrack) is the film score to the Marvel Studios film Thor: Ragnarok composed by Mark Mothersbaugh. Hollywood Records released the album digitally on October 20, 2017, with a physical release on November 10, 2017.
The episode "Don't Touch That Dial" of WandaVision features an original theme song written by Kristen-Anderson Lopez and Robert Lopez. "WandaVision" is the only lyric in the song, as Anderson-Lopez and Lopez wanted to emulate the minimalist, repetitive, "cool jazz Bebop-inspired" theme songs of 1960s
Thor (Original Motion Picture Soundtrack) is the soundtrack to the Marvel Studios film of the same name, based on the character created by Marvel Comics.The music was composed by Patrick Doyle, conducted by James Shearman and performed by the London Symphony Orchestra.
Thor: Ragnarok is a 2017 American superhero film based on the Marvel Comics character Thor, produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to Thor (2011) and Thor: The Dark World (2013), and is the 17th film in the Marvel Cinematic Universe (MCU).
In September 2013, the song was featured in a Chipotle short film, sung by Fiona Apple. [11] (US No. 104). [12] Ruby Arias (portrayed by Emma Tremblay) sang the song for a school concert in the Supergirl episode "The Faithful". [13] An instrumental version of the song is featured in the 2017 Marvel Studios film Thor: Ragnarok. [14] [15]
In 2020, the song was used in the beginning of the first episode of the Danish-Norwegian television show Ragnarok. The song was used in the feature films Young & Beautiful (2013), [29] Katy Perry: Part of Me (2012) [30] and Warm Bodies (2013). [31] In 2013 the song was used in the first-season finale of The Mindy Project. [32]
Super Bowl 59 is underway, with the Kansas City Chiefs facing a familiar foe, the Philadelphia Eagles, hoping to win the Lombardi Trophy for a record third year in a row. The extra point is good ...
Director Taika Waititi wanted the music to reflect the same aesthetic of the film with its "bombastic, loud, colorful palette". "Sweet Child o' Mine" by Guns N' Roses is featured in the film, given Guns N' Roses is one of Waititi's favorite bands, and helped "reflect the sort of crazy adventure that we're [visually] presenting"; [4] the song was also used in the film's marketing. [5]