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Suite for Solo Violin No. 1, Op. 7 -dedicated to Igor Bezrodny-Suite for Solo Violin No. 2, Op. 13 -dedicated to Vladimir Avramov-Jenő Hubay. 6 Etudes for the Development of Bow Technique -pedagogical work-, Op.63 (1896) 6 Etudes for the Development of Left-Hand Technique -pedagogical work-, Op.64 (1896)
Sonatas and partitas for solo violin, BWV 1001–1006; Violin Concerto in A minor, BWV 1041; Violin Concerto in E major, BWV 1042; Double Violin Concerto (Bach), BWV 1043; Toccata and Fugue in D minor, BWV 565 (suspected to be a transcription of a violin original, by Bach himself or another composer).
Toccata and Fugue in D minor and the Other Bach Transcriptions for Solo Piano Dover Publications, 1996, ISBN 0-486-29050-6 •Note: Includes the same items as Vol III of the BB6. However, the actual sources are other publications of the same pieces as noted below. 1) Prelude and Fugue in D Major, BWV 532 [from Breitkopf & Härtel, EB 3355]
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...
There's a minor wrong note at 1:03, and another around 1:44. At 1:35, it's a little too blurred for me. 1:55, the critical octave C-naturals are lost. At 1:59, you anticipate the pp —first in the LH, then in the RH; the pp , in the subsequent bar, is marked "subito" (suddenly).
Aftermath (2001–02), song-cycle for baritone, violin, cello, & piano Sound the Flute (2004), for high voice, recorder & piano Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra
BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful) [53] BWV 965 – Sonata in A minor (after Johann Adam Reincken 's Hortus Musicus , Nos. 1–5) BWV 966 – Sonata in C major (after Johann Adam Reincken's Hortus Musicus , Nos. 11–15)
The Concerto Grosso No. 1 was the first of six concerti grossi by Soviet composer Alfred Schnittke.It was written in 1976–1977 at the request of Gidon Kremer and Tatiana Grindenko who were also the violin soloists at its premiere on 21 March 1977 in Leningrad together with Yuri Smirnov on keyboard instruments and the Leningrad Chamber Orchestra under Eri Klas. [1]