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Shine: The Best of the Early Years is a compilation album by David Gray, released on 26 March 2007 in the UK and a day later in the US. The compilation contains tracks from Gray's first three albums and was released ahead of his Greatest Hits album, which followed in November.
"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man . The song is sung from the point of view of a piano player at a bar, describing the patrons.
In an interview for Hot Press, released on 3 December 2009, Gray revealed to Jackie Hayden that he was working on his next album, Foundling. Gray said that one of the tracks would be called "The Old Chair", which, according to Gray, "features just a drum kit and me on my Steinway piano. It's very quiet." Foundling was released in the UK on 16 ...
The piano is clearly played in 3/4 as the piano hits the bass of the current inversion every third beat followed by the two upper notes of the triad on two and three. The drums are drift back and forth between 6/8 and 3/4. 6/8 is characterized by kick drum hit on one and snare hit on four, whereas 3/4 is kick on one then snare on three repeated.
Kyle Martin is a nationally renowned musician, piano player and singer originally from Sacramento, California and now resides in Las Vegas, Nevada. He is best known for his role as the "Piano Man" in the Billy Joel/Twyla Tharp Broadway musical, Movin' Out, during the 2007–2009 National Tour.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
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