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Francis James Child, one of the key figures in beginning the first folk revival. In the late eighteenth century and early nineteenth century there was and an attempt to produce a corpus of Scottish national song, involving Robert Burns (1759–96) building on the work of antiquarians and musicologists such as William Tytler (1711–92), James Beattie (1735–1803) and Joseph Ritson (1752 ...
The playing of this Gaelic harp with wire strings died out in Scotland in the 18th century and in Ireland in the early 19th century. In the late 19th century Gaelic revival the instruments used differed greatly from the old wire-strung harps.
Volumes 1 and 2 of Ancient and modern Scottish songs, heroic ballads, etc by David Herd, 2nd edition, 1776. Scots Musical Museum in six volumes by James Johnson, printed between 1787 and 1803. Volumes 1 and 2 of The Relics of Jacobite Scotland by James Hogg printed between 1819 and 1821.
Robert Machardy LL.D né McHardy (10 September 1848 – 8 July 1921) was a 19th-century Scottish composer, conductor, and music educator. A Fellow of the National College of Music, [1] he composed over a hundred works, [2] including operas, cantatas, and oratorios, many of which drew inspiration from Scottish folklore and melodies.
Scottish collections of music like the thirteenth-century 'Wolfenbüttel 677', which is associated with St Andrews, contain mostly French compositions, but with some distinctive local styles. [5] The first notations of Welsh music that survive are from the 14th century, including matins, lauds and vespers for St David's Day. [6]
A series of manuscripts in the early 19th century documented ... There is a growing community of harpers performing early Scottish and Irish music on replica early ...
From the mid-nineteenth century classical music began a revival in Scotland, aided by the visits of Frédéric Chopin (1810–49) and Felix Mendelssohn (1809–47) in the 1840s. [16] Mendelssohn was probably the most influential composer of his era and visited Britain ten times, for a total of twenty months, from 1829.
It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music.
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