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Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees. [22] Kukurihime no Kami (菊理媛神), a goddess enshrined at Shirayama Hime Shrine.
They contain agricultural, geographical, and historical records as well as mythology and folklore. [1] Fudoki manuscripts also document local myths , rituals , and poems that are not mentioned in the Kojiki and the Nihon Shoki chronicles , which are the most important literature of the ancient national mythology and history.
Toyotama-hime (Japanese: 豊玉姫) is a goddess in Japanese mythology who appears in Kojiki and Nihon Shoki. She is the daughter of the sea deity, Watatsumi , and the wife of Hoori . She is known as the paternal grandmother of Emperor Jimmu , the first emperor of Japan.
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. [ 1 ]
The Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters"), also sometimes read as Furukotofumi [1] or Furukotobumi, [2] [a] is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 [3] concerning the origin of the Japanese archipelago, the kami (神), and the Japanese imperial line.
In fiction, slimes, also called oozes, are amorphous creatures composed of gelatinous ooze. In literature and film, slimes typically take the role of horrific monsters, while in video games and anime , they are often depicted as cute low-level enemies.
In Japanese mythology, the Kamiyo-nanayo (神世七代, lit. "Seven Generations of the Age of the Gods") are the seven generations of kami that emerged after the formation of heaven and earth. [1] According to the Kojiki, these deities appeared after the Kotoamatsukami, which appeared at the time of the creation of the universe.
Despite the similarities to the aobōzu legend in appearance, the Gazu Hyakki Yagyō, as an e-hon picture book, did not come with accompanying explanatory text, meaning that the image may not show an aobōzu, and instead may be intended to depict another yōkai, [8] such as the mehitotsu-bō (one-eyed monk) commonly depicted in Edo period ...