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Physiognomy (from the Greek φύσις, 'physis', meaning "nature", and 'gnomon', meaning "judge" or "interpreter") or face reading is the practice of assessing a person's character or personality from their outer appearance—especially the face.
The meaning of PHYSIOGNOMY is the art of discovering temperament and character from outward appearance. How to use physiognomy in a sentence.
Physiognomy, the study of the systematic correspondence of psychological characteristics to facial features or body structure. Because most efforts to specify such relationships have been discredited, physiognomy sometimes connotes pseudoscience or charlatanry.
Dating back to early Greeks, Aristotle, in particular, believed strongly in physiognomy as an important and meaningful course of examination to make clear connections between the physical body and moral character.
How physiognomy, the dubious science of deducing mental character from physical appearance, influenced European art and culture in the 17th and 18th centuries.
Though now recognized as a pseudoscience, in the 18th and 19th centuries, physiognomy — the practice of studying the distribution of facial features for signs of character and temperment — was highly influential in visual culture and literature.
Physiognomy, also known today as personology, is an ancient form of divination based upon reference of the physical appearance of the individual. It was a widespread practice in the ancient Mediterranean Basin and in China , and also appears in India and the ancient Arab world.
In a landscape with the physiognomy of an almost continuous vineyard, a dead channel of wasteland appeared. The regeneration potential thus strongly depends on the physiognomy of the vegetation. A "neutral physiognomy," however, is a public text in visible circulation.
Physiognomy connects the external appearance of human beings with their inner character traits. Ancient physiognomy developed in connection with humoral medicine, which provided the theoretical underpinning for the association between mental and physical features.
“Physiognomy,” as an old, classical, and Renaissance discipline comes into modernity from the Neapolitan Giambattista della Porta (1535–1615) who was interested in finding analogues to the looks of animals in human faces, and then from the Swiss-born Protestant pastor Johann Caspar Lavater (1741–1801) who published in German in 1775 ...