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The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène ...
The Cult Wagon Cult Wagon of Strettweg as depicted in 1886 Jahrbuch des Kaiserlich Deutschen Archäologischen Instituts.. The Strettweg cult wagon, or Strettweg sacrificial wagon, or Strettweg chariot is a bronze cult wagon from ca. 600 BC, which was found as part of a princely grave of the Hallstatt culture in Strettweg near Judenburg, Austria in 1851.
Hallstatt lies in the area where the western and eastern zones of the Hallstatt culture meet, which is reflected in the finds from there. [7] Hallstatt C is characterized by the first appearance of iron swords. Hallstatt D displays daggers, almost to the exclusion of swords, in the western zone graves ranging from circa 600 to 500 BC.
Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation or natural beauty, are defined as natural heritage. [2]
The Hallstatt Museum (German: Museum Hallstatt) is a museum in Hallstatt, Upper Austria, that has an unrivalled collection of discoveries from the local salt mines and from the cemeteries of Iron Age date near to the mines, which have made Hallstatt the type site for the important Hallstatt culture.
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Michelsberg hilltop fortifications are known elsewhere, so it is possible that the hill was fortified for the first time at that stage. The hill was also settled by the late Bronze Age Urnfield culture (1,000–800 BC). During the Celtic late Hallstatt/early La Tène period, the Glauberg became a centre of supra-regional importance. At this ...
It is characterized by elegant, stylized curvilinear animal and vegetal forms, allied with the Hallstatt traditions of geometric patterning. The Early Style of La Tène art and culture mainly featured static, geometric decoration, while the transition to the Developed Style constituted a shift to movement-based forms, such as triskeles.
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