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Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-. If a chord root is not in the scale, the symbols ♭ or ♯ can be added. In the key of C major, an E ♭ triad would be notated as ♭ 3.
The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor; Subdominant – E-flat major; Dominant – F major; Submediant – G minor; Leading-tone – A diminished
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The first movement in B ♭-major, marked Allegro, opens with a series of fortissimo B ♭-major chords, which form much of the basis of the first subject. After the first subject is spun out for a while, the opening set of fortissimo chords are stated again, this time followed by a similar rhythm on the unexpected chord of D major. [24]
Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. [1] Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo ...
The first prelude, in B-flat major, begins with a five-note blues motif; virtually all the melodic material in the piece is based on this theme. Syncopated rhythms based on the Brazilian baião and chords containing flattened sevenths occur throughout; these give the piece a strong jazz feel. Although these sounds are far from adventurous by ...
The A section starts with the right hand playing a soothing melody, and the left hand accompanying it with broken chords. The B section, which starts with the key of E-flat minor, plays a simple melody, then modulates to the original key with the B-flat major scale and then the E-flat major scale, then back to the A section.
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