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While the chromatic harmonica is capable of playing in all keys, it does have limitations. [5] For example, while chromatic harmonicas can "bend" notes down in pitch, as a single-reed bend it sounds quite different from the typical dual-reed bend of a blues harp, and can only bend downward by a semi-tone.
The Harmonic Table keyboard layout was used in a keyboard harmonica called the Harmonetta, [2] invented by Ernst Zacharias [3] and manufactured by Hohner from the early 1950s through the mid-1970s. A similar keyboard was developed by Larry Hanson [ 4 ] in 1942 for use with a 53 tone scale but turns the fifth sideways and the major third to the ...
A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard diatonic harmonica's layout in the key of C (1 blow is middle C): This layout easily allows the playing of notes most important in C major, that of the C major triad: C, E, and G. The tonic chord is played by blowing and the dominant chord is played by ...
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).
For example, in the key of C major, the chord D minor seventh can be written as "2− 7", "2m 7", or "ii 7". "The musicians in Nashville use the Nashville Number System almost exclusively for conveying a song's structure and arrangement in the recording studio." [3] In the key of C, C=1, D=2, E=3, and so on for all seven notes in the key.