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Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
Thus, while a chromatic harmonica is well-suited for playing lead or melody, diatonic harmonicas have a greater advantage when playing harmony or accompaniment. As the chromatic harmonica is designed to play melodies in any key, many 16-hole and special version chromatic are only made in the key of C.
A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard diatonic harmonica's layout in the key of C (1 blow is middle C): This layout easily allows the playing of notes most important in C major, that of the C major triad: C, E, and G. The tonic chord is played by blowing and the dominant chord is played by ...
The Harmonic Table keyboard layout was used in a keyboard harmonica called the Harmonetta, [2] invented by Ernst Zacharias [3] and manufactured by Hohner from the early 1950s through the mid-1970s. A similar keyboard was developed by Larry Hanson [ 4 ] in 1942 for use with a 53 tone scale but turns the fifth sideways and the major third to the ...
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Here the notes of the major scale are found throughout the range of the harmonica without a separate chord section in the bass octave. This helps to facilitate a common practice in Asia of playing both a C and C ♯ harmonica stacked in order to achieve full chromaticity by having essentially the same notes available in each octave of the ...
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