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The writings of a Christian poet are not necessarily classified as Christian poetry nor are writings of secular poets dealing with Christian material. The themes of poetry are necessarily hard to pin down, and what some see as a Christian theme or viewpoint may not be seen by others. A number of modern writers are widely considered to have ...
Veneklasen's poem appeared occasionally in newspaper obituaries, commonly lacking attribution, and often with the decease substituted for "I". In 1963 and 1964, the Aiken Standard and Review in South Carolina ran a poem by frequent contributor M. L. Sullivan titled "Footprints". This was a bit of romantic verse that moves from sadness at "lone ...
Ancient Eastern hymns include the Egyptian Great Hymn to the Aten, composed by Pharaoh Akhenaten; [6] the Hurrian Hymn to Nikkal; [7] the Rigveda, an Indian collection of Vedic hymns; [8] hymns from the Classic of Poetry (Shijing), a collection of Chinese poems from 11th to 7th centuries BC; [9] the Gathas—Avestan hymns believed to have been composed by Zoroaster; [10] and the Biblical Book ...
Folio 129r of the early eleventh-century Oxford, Bodleian Library, MS Hatton 43, showing a page of Bede's Latin text, with Cædmon's Hymn added in the lower margin. Cædmon's Hymn is a short Old English poem attributed to Cædmon, a supposedly illiterate and unmusical cow-herder who was, according to the Northumbrian monk Bede (d. 735), miraculously empowered to sing in honour of God the Creator.
The Christian Year is a series of poems for all the Sundays and some other feasts of the liturgical year of the Church of England written by John Keble in 1827. The book is the source for several hymns. It was first published in 1827, and quickly became extremely popular.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
These poems are: The Fates of the Apostles, Juliana, Elene, and Christ II (also referred to as The Ascension). The four signed poems of Cynewulf are vast in that they collectively comprise several thousand lines of verse. In comparison, the one work attributed to Cædmon, Cædmon's Hymn, is quite succinct at nine lines.