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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
For instance, in most piano music the left hand specifies the bottom note and intervals go bottom-up while the right hand specifies the top note and intervals go top-down. Many older scores have all staves reading bottom-up or all reading top-down. Most scores have a note indicating the direction of the interval notation.
The duration (note length or note value) is indicated by the form of the note-head or with the addition of a note-stem plus beams or flags. A stemless hollow oval is a whole note or semibreve, a hollow rectangle or stemless hollow oval with one or two vertical lines on both sides is a double whole note or breve.
Most music is written for two hands; typically the right hand plays the melody in the treble range, while the left plays an accompaniment of bass notes and chords in the bass range. Examples of music written for the left hand alone include several of Leopold Godowsky 's 53 Studies on Chopin's Etudes , Maurice Ravel 's Piano Concerto for the ...
Accidental symbols are placed to the right of a note's letter when written in text (e.g. F ♯ is F-sharp, B ♭ is B-flat, and C ♮ is C natural), but are placed to the left of a note's head when drawn on a staff. Systematic alterations to any of the 7 lettered pitch classes are communicated using a key signature. When drawn on a staff ...
The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4] (Note: these piano key numbers 1-108 are not the n keys in the equations or the table.)
Examples of the latter include the E ♭ (right hand), and F ♯ and G ♯ (left hand) used for the С diminished (С octatonic) scale in Bartók's Crossed Hands (no. 99, vol. 4, Mikrokosmos); the B ♭, E ♭ and F ♯ used for the D Phrygian dominant scale in Frederic Rzewski's God to a Hungry Child; and the E ♭ and D ♭ (right hand) and ...
In mm. 1–4, the pitch classes A, B, C, and D appear in the right hand, and the pitch classes E ♭, F, G ♭, and A ♭ are in the left hand. The collection in the right hand outlines the first four notes of an A minor scale, and the collection in the left hand outlines the first four notes of an E ♭ minor scale.
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